The adjacent possible is a kind of shadow future, hovering on the edges of the present state of things, a map of all the ways in which the present can reinvent itself.
Tuesday, September 23, 2014
Thursday, September 11, 2014
Work in progress September 2014
I have been experimenting with a variety of projects since July. My strategy this semester is to make lots of work from an intuitive place without over-analyzing the formal elements or the meaning.
This project involves bodies made out of newspaper and masking tape and covered with plaster cloth. I plan to make 60 of them Eventually they will be painted, inscribed, stacked or strung together.
This is a new iteration of the silhouettes I was working on last year. I haven't finalized what will go inside the cut out bubbles yet, but I like the black fabric with text.
Here's a detail:
Starting September first I am making one embroidered square per day for 60 days. The squares will be assembled into one quilt-like piece. I stitch thoughts or images that occur to me each day.
I have been saving newspaper pictures from the Los Angeles Times newspaper since last year. I will stitch them randomly on long strips of fabric and display them in some kind of scroll-like fashion.
Last year I was experimenting with questions that have evolved into statements. This is my version of Jenny Holzer's Truisms:
Thursday, August 14, 2014
August Work in Progress
I'm continuing to work on the three-dimensional figures, covering them with plaster cloth. Then they will be painted, inscribed or manipulated in different ways. I'm planning to make as many as I can.
I'm also playing with these collected strips of torn fabric:
Some other ideas I am playing around with are: a life-sized dimensional body made out of silk organza, kind of like a doll with no stuffing. Also a list of personal "truisms": "Don't apologize for being happy", Each day you are living you are also dying", "Having is not the same as owning", "Being idealistic is not a crime". I'm sure I will come up with more.
Monday, August 4, 2014
Sunday, July 20, 2014
Critique Space at June 2014 Residency
The lighting and the surfaces are always a challenge when hanging your work at the Newbury Building in Boston. I was glad to have a grey background since my work in white disappears into a white wall.
I wish I had access to an iron to flatten out the layered pieces. However, the air movement from the fans in the room did give them an active quality.
Here are two images of the completed collaborative project that I coordinated for our group. Each member was paired with another member. Each created a small piece of art responding to this quotation by Stephen Nachmanovitch: “The noun of self becomes a verb. This flashpoint of creation in the present moment is where work and play merge”. The art was sent to their partner to respond to, then sent to me to compile. A red thread wove the pieces together by wrapping around the mounting pins.
Thursday, June 5, 2014
May and June work
Gross Domestic Product #3
Gross Domestic Product #4
Corporations Are People
The apron project (Gross Domestic Product) is an attempt to present my ideas about American culture as this divided, schizophrenic structure where beliefs about American identity don't match the evidence. The transparent fabric reflects on the idea of something veiled but not really hidden. The apron has domestic associations and the sheer fabric suggests a sexual component. I am drawing attention to the disconnect between the image of domestic bliss and the underlying violence in American homes.
Corporations Are People is a series of "voodoo dolls" that represent corporations. The piece reflects upon my anger about corporate greed and its negative influence on American society.
Thursday, April 10, 2014
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